Dish (part of a set) by Chelsea Porcelain Manufactory

Dish (part of a set) 1747 - 1760

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painting, ceramic, porcelain, sculpture

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painting

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landscape

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ceramic

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porcelain

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figuration

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sculpture

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ceramic

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genre-painting

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decorative-art

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rococo

Dimensions L. 9 5/8 in. (24.5 cm.); W. 7 1/2 in. (19.1 cm.)

Editor: So, this ornate porcelain dish, made by the Chelsea Porcelain Manufactory sometime between 1747 and 1760, is like a tiny stage for a dramatic scene. The colors are so delicate. What really strikes me is how a seemingly violent encounter has been transformed into something, almost... decorative? How do you see this interplay between the dish and the scene it portrays? Curator: Oh, it's absolutely fascinating, isn't it? It’s as though we're peering into a fleeting dream of aristocracy. The Rococo style, with its love for curves and asymmetry, completely embraces the theatrics of the conflict playing out at its center. Does the scene feel "real," or does it, in some ways, resemble more of a performance of aristocratic skill? Editor: I think it feels like a performance. They almost seem like actors rather than soldiers in a real struggle. Curator: Exactly! It’s about displaying prowess, the flash of a sword, the controlled energy of the horses. Imagine those who originally owned this dish. They may be reminded of tales of chivalry, status and cultivated leisure over basic function. What story is the dish telling? Editor: Well, that makes me think it might have been more for show than practical use. It’s a bit small and elaborate for everyday dining. Perhaps for sweets or special occasions to prompt conversation. Curator: A delightful suggestion! And perhaps also an innocent time, a simple statement on society when function followed beauty. And now it makes us stop, think and question. Does beauty still tell stories? Editor: It certainly does! This dish proves it. It is like a small glimpse of a past world, carefully staged and exquisitely crafted to beguile and entertain. Curator: Indeed, and to leave us pondering what other tales such an object might conceal. Thanks!

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