The Virgin and Child 1450 - 1475

This is Antonio Rossellino's ‘The Virgin and Child’, likely made during the mid-15th century. It’s a low relief artwork and its metallic sheen immediately catches the eye. The composition is dominated by the figures of Mary and the infant Christ, intertwined in an intimate embrace. Rossellino masterfully uses line and texture to bring depth to the figures. Notice the intricate folds of Mary's drapery that contrast with the smoother surfaces of their faces. These textural variations introduce movement, guiding the viewer's eye through the composition. The scene is framed by an ornate border, creating a contained space. The frame directs our focus inward, emphasizing the emotional bond between mother and child. In semiotic terms, each element functions as a sign, contributing to a larger narrative of maternal love and divine tenderness. The metallic sheen of the material adds another layer, evoking ideas of sanctity. Rossellino’s work serves as a testament to how the formal qualities of sculpture can create profound meaning.