De intocht in Jerusalem c. 1734 - 1801

Jacobus Buys made "The Entry into Jerusalem," a drawing with pen in gray ink, dating back to the 18th century. The choice of pen and ink, while traditional, offers a direct connection to the artist's hand. The delicate lines and subtle shading lend a sense of depth and movement to the scene. With the linear quality of the ink, Buys evokes the textures of the crowd's clothing, the rough hide of the donkey, and the stone architecture of Jerusalem. The process of drawing is inherently intimate, suggesting a personal interpretation of this biblical event. This wasn't printmaking, where multiples were the goal. It also wasn't painting, where the texture of brushstrokes would add another layer of meaning. The social context of 18th-century art emphasized skill and craftsmanship, which Buys delivers through his mastery of line and composition. Ultimately, Buys challenges the hierarchy between fine art and craft, inviting us to appreciate the skill and artistry inherent in this drawing.