Alexander the Great in Jerusalem c. 16th century

Curator: Here we have Gerard de Jode’s engraving, "Alexander the Great in Jerusalem," thought to be from the late 16th century. It depicts Alexander's legendary visit to Jerusalem. Editor: What strikes me immediately is the visual tension. The procession of soldiers in the background versus the bowing figures in the foreground—it's like two worlds colliding. Curator: Indeed. The artist is drawing on a popular legend, embellishing it with period details. Alexander's encounter with the high priest is a story about cultural exchange and the perceived legitimacy of power. Editor: Absolutely. And the image itself becomes a symbol. The kneeling figures, the religious vestments… they speak to submission, respect, or perhaps even fear of conquest. Curator: The engraver uses line and shadow to create such depth. You can almost feel the weight of history bearing down on these figures. It definitely prompts a reflective mood. Editor: It does, doesn't it? It makes you wonder about the enduring power of such stories—and the images they inspire—even centuries later.