Vase with stylized leaves and an ornamental border by Königliche Porzellan Manufaktur

Vase with stylized leaves and an ornamental border 1902

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ceramic

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art-nouveau

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ceramic

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form

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geometric

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ceramic

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line

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decorative-art

Dimensions: height 22.1 cm, diameter 5.1 cm, diameter 10 cm, diameter 5.5 cm

Copyright: Rijks Museum: Open Domain

Curator: The clean lines of this vase give me such a sense of calm. What are your initial thoughts? Editor: It feels so...controlled. Beautiful, undeniably, but there's a stark formality in its precise geometry. Curator: Indeed! What we have here is a piece from the Königliche Porzellan Manufaktur, Berlin, created around 1902. This "Vase with stylized leaves and an ornamental border" exemplifies Art Nouveau sensibilities. The museum record indicate it's made of ceramic, Editor: It’s the embodiment of Art Nouveau's aesthetic aspirations! Think of the social and cultural forces at play. The decorative arts movements responded directly to rapid industrialization and, what some believed to be, a loss of cultural heritage and skill-based production, it also speaks to a rising bourgeois demand for elegant objects. The ornamental border near the top also gives off very patriarchal undertones in my mind. Curator: I see your point about reclaiming cultural capital from machine-led industry. Though I might want to add a nuance on the social commentary, that the rising number of consumers are largely ignored. And while there is perhaps that desire for tradition and elite artisanship it also seeks, to a certain extent, to be radical, breaking the mold set by preceding generations and pushing society forward. And can you expand more on these patriarchal undertones? Editor: Those sharp lines! And even just the shape reminds me a lot of the human form in which women would have played the vase’s function, which is purely to serve as a decorative art piece. You could perhaps contextualize the artwork in the late 19th/early 20th century patriarchal view of gender where a woman's role was purely confined to the aesthetics of the home. The ornamental border would almost be an attempt to control and contain this supposed natural beauty. It does speak to how bourgeois men in Western cultures approached their own societal function, being extremely prim, formal, yet holding so much value. Curator: An astute perspective; thank you for sharing that. This vase invites such contemplation – and critique. I hope visitors are equally inspired. Editor: Exactly! It challenges us to see beyond simple elegance and recognize the complex narratives art carries.

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