Wandbord met drie bloemmotieven op het plat by N.V. Haagsche Plateelfabriek Rozenburg

Wandbord met drie bloemmotieven op het plat 1888

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ceramic

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art-nouveau

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ceramic

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ceramic

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decorative-art

Dimensions height 4.3 cm, diameter 38.3 cm

Curator: Welcome. Before us we have a ceramic wall plate from the Haagsche Plateelfabriek Rozenburg, crafted around 1888. Its title? "Wandbord met drie bloemmotieven op het plat," or "Wall plate with three floral motifs." Editor: It’s…peaceful. Like looking into a cool pond where only blue lilies dare to float. There is something restful and quiet in the glaze that really hits me. Curator: A restfulness that emerges through symmetry and careful articulation of form. Note how the composition adheres to a strict tripartite division, creating three distinct floral groupings radiating from the plate's center. Each motif is contained within a bordered section and further detailed with stylized floral elements and linear precision. Editor: You’re right. These aren’t naturalistic blooms. There’s a definite stylization going on, almost bordering on the abstract. The way they use that swirling effect inside each blossom and throughout—it suggests the Art Nouveau movement. Curator: Precisely. The piece is decidedly Art Nouveau in its sensibilities. The flowing lines and curvilinear forms, integrated with the stylized floral elements, exemplify this aesthetic, which was only in its beginning phase at this moment in time. Editor: But even knowing that it's ceramic, the effect mimics watercolors almost. Curator: An astute observation. The gradations and chromatic subtleties in the glaze application contribute significantly to this perception. Notice particularly how the blue pigmentation pools and diffuses around the motifs, resulting in atmospheric variation within the form itself. Editor: Is it just me, or does it also bring to mind ancient Greek pottery? These patterns feel old and fresh all at once. Maybe I am imaging something, but to me it speaks volumes about how much of the world came before us. Curator: That sense of enduring design may stem from how Rozenburg skillfully employs a combination of artistic heritage and fresh innovation to bring timeless designs into modernity, crafting beautiful, decorative pieces like this one that still catch the eye today. Editor: Makes you wonder what's next to come. A lovely reminder that the world is round, that the best parts circle back if you let them.

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