Aanbidding der koningen 1663

Curator: This is Adriaen Lommelin's "Adoration of the Magi," an engraving dating back to 1663. It is now held in the Rijksmuseum. Editor: It's predominantly rendered in shades of grey, which immediately strikes a rather somber mood, wouldn’t you say? Despite being a joyous scene. Curator: Precisely. The limitations of engraving as a medium perhaps contribute to that mood. But the interesting element here is to observe how the print functions within the cultural and religious landscape of 17th-century Europe, right after the council of Trent, as images acquired new doctrinal meanings. The Catholic church encourages arts as a way to get closer to the sacred figures. Editor: Absolutely, but the composition! Look at the light illuminating Mary and the Christ Child, directing our gaze immediately. The texture created through the lines of the engraving creates volume in the figures... you can almost feel the weight of the fabrics. There's an undeniable tension between the earthly and the divine in this artwork. Curator: I think it reveals much about the evolving socio-political significance ascribed to religious imagery. The work, far from being solely a devotional piece, also served as a public affirmation of religious identity. The detail of including horses and the magi's guard on the right, which feel almost like caricature, gives us an insight on how baroque art introduced worldly elements on a sacred topic to resonate with its contemporary audience. Editor: A successful blending of technique and narrative! The intricate detail in this print truly speaks to the craftsmanship of the time and provides insight into Lommelin’s skill as an engraver. Curator: A compelling artwork indeed! Editor: Indeed! It presents endless visual richness to contemplate on!