Copyright: National Gallery of Art: CC0 1.0
Jozsef Domjan made this linocut, Homage to Durer, in 1972 and it’s a masterclass in organized chaos. Domjan’s mark making is like a wild dance across the surface – lines and shapes carving out figures and patterns, all with a bold, graphic punch. It’s clear he’s having a conversation with Durer, but on his own terms. There’s a real physicality to this print. You can almost feel the artist’s hand as he gouges away at the linoleum, leaving behind these sharp, decisive marks. Look closely, and you’ll see how the deep red ink sits on the paper, creating a slight texture that adds to the richness of the image. Notice that wheel-like shape at the top, radiating lines that feel both structured and spontaneous, it's as though the whole piece is both planned and intuitive. Domjan’s work always feels like a bridge between tradition and something totally new, and he reminds me a bit of someone like Max Beckmann, who also wrestled with history in his own, expressionistic way. Ultimately, this print is a reminder that art is always an ongoing conversation.
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