Oval Wooden Spoon by Wilbur M Rice

Oval Wooden Spoon c. 1937

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drawing, watercolor

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drawing

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watercolor

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folk-art

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watercolour illustration

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watercolor

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realism

Dimensions overall: 30.7 x 22.8 cm (12 1/16 x 9 in.) Original IAD Object: 9 9/16" long; 1" deep

Curator: Wilbur M. Rice's "Oval Wooden Spoon," painted around 1937, offers a simple yet compelling subject for consideration. Editor: It's so unassuming. There's a quiet humbleness to it. The brown and cream palette evoke a feeling of the handcrafted, as well as a close familiarity with everyday domesticity. Curator: The execution, employing watercolor and drawing techniques, emphasizes realism. Note the carefully rendered textures and tonal variations that suggest depth and volume, lending a palpable presence to the object. Editor: Right, you can almost feel the smoothness of the carved wood. The slight variations in color suggest the passage of time, the wear and tear of everyday use. That handle looks particularly well-worn, the labor obvious in its worn patina. Was it perhaps part of a larger set or tradition of carving? Curator: It does point toward that kind of historical crafting lineage. Semiotically, the spoon transcends its basic function. It becomes an emblem of folk art, referencing rural traditions. Its contours lead the eye gently from the shallow bowl along the neck to that interesting notch at the handle's end. Editor: That simple elegance belies a more significant narrative about the role of handmade items in society. Consider the economic factors in play, especially around 1937. This artist chose to commemorate something that probably everyone in the United States had in their home at that point: a wooden spoon. Curator: So true; we should also see it as an important social document. Formally, the composition has this wonderful interplay between light and shadow, accentuating the tactile nature of the wood. Editor: It almost romanticizes domestic work, drawing dignity out of everyday making and labor. And it’s simply a really skillfully-rendered image. Curator: Indeed, Rice elevated the mundane. That simple tool becomes monumental through attention to line, shadow, and form. Editor: The artist transformed the ordinary into something timeless by spotlighting process and careful work, while giving form to everyday experiences and social connections. Curator: And that act of close observation allows viewers to experience a fresh, almost reverential perspective on a tool taken for granted.

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