Studie van de echtgenote van Carel Adolph Lion Cachet, handwerkend, van opzij by Carel Adolph Lion Cachet

Studie van de echtgenote van Carel Adolph Lion Cachet, handwerkend, van opzij 1874 - 1945

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drawing, ink

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portrait

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drawing

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comic strip sketch

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imaginative character sketch

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caricature

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cartoon sketch

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personal sketchbook

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ink

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idea generation sketch

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ink drawing experimentation

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line

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sketchbook drawing

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cartoon style

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storyboard and sketchbook work

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realism

Dimensions: height 265 mm, width 214 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Carel Adolph Lion Cachet's "Studie van de echtgenote van Carel Adolph Lion Cachet, handwerkend, van opzij", created sometime between 1874 and 1945. It's an ink drawing. The swift lines give it a sense of immediacy, like a fleeting glimpse of the artist's wife engrossed in her craft. What jumps out at you when you see this piece? Curator: It’s lovely, isn't it? It feels like a secret whispered onto the page. For me, it's not just a portrait but an invitation into the quiet intimacy of the Cachet household. Imagine the artist, quickly sketching his wife, capturing her focus. Notice the delicate lines defining her profile. It’s less about perfect representation, and more about the feeling of her presence, her dedication to the work at hand. Does it perhaps conjure a sense of nostalgia in you? Editor: It definitely feels personal, like we're intruding on a private moment. It is not as highly finished as I would expect of portraiture. But it invites imagining what their relationship might have been like, their daily life. Curator: Exactly! The seeming incompleteness adds to its charm. It begs the question, what was she creating? Was it a garment, or perhaps something more symbolic, stitched into the fabric of their lives? Maybe it doesn't matter what it literally depicts... rather it becomes a symbolic image of all partners committed to the quiet intimacy of each other's presence. It hints at a shared understanding, a silent language spoken through the simple act of observing and being observed. It resonates with my own practice too. Editor: It makes me think differently about portraiture – that it’s not always about perfect likeness, but capturing something deeper. Curator: Precisely! It’s about distilling the essence of a person, their spirit, onto a simple piece of paper. What a feat! Thank you. It helped me think about Cachet’s marriage in a new and thoughtful way. Editor: Thanks. I will certainly now seek other similar examples to explore the intimacy of partnership as it reveals itself in this sketch.

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