Number 15, Mouchoir du Diable, from the Tricks with Cards series (N138) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco 1887

Editor: This is "Number 15, Mouchoir du Diable" from 1887, made by W. Duke, Sons & Co. It's a print, advertising tobacco. I'm struck by the bright red handkerchief and how it contrasts with the darker background. It’s so simple, yet visually engaging. What catches your eye in this piece? Curator: The formal arrangement immediately presents itself. The composition pivots on a clear contrast between the geometry of the framing and the draping form of the fabric. Notice how the hand, almost detached, enters from the top, providing a vanishing point. The lithographic rendering—flat planes of color delineated by sharp lines—subverts any illusionistic depth. Are you sensitive to that deliberate artificiality? Editor: Definitely! The flatness is very striking. It makes it feel very graphic and intentional. But I'm also curious about the lettering – "Mouchoir du Diable" – what does it add to the overall composition? Curator: The typography functions less as text and more as compositional element. Note the alignment; it creates visual rhythm while anchoring the otherwise amorphous shape of the handkerchief. Further, consider the interplay between the curves within the handkerchief's design and the rigid, geometric shapes that encapsulate it, establishing a compelling dialogue. Editor: That's a great observation. I hadn't thought about how the curves and lines play off each other like that. Seeing how the typography and textile pattern serve as a counterpoint truly unlocks a new perspective to fully appreciate this commercial print. Thanks for the insight. Curator: Precisely, the structure itself unveils the layered complexities within the image.