Untitled 1991

Curator: Thomas Roma captured this deeply resonant photograph, simply titled "Untitled," in 1991. Crafted as a gelatin-silver print, it possesses a timeless quality despite its relatively recent creation. Editor: Yes, my first impression is its stark simplicity, despite the very dynamic arrangement of its figures. The contrasts are really striking, and it carries an intense, reverential atmosphere. Curator: Indeed. Roma’s work often examines the social and spiritual fabric of urban communities. The Black Arts Movement echoes here, capturing moments of both ritual and raw human experience, frequently overlooked by the mainstream. Editor: It’s how Roma manages the monochrome that holds my attention. The textures are remarkably captured, differentiating the fabrics of the boy's suit, and the various whites of the robes and dresses. It’s all in the tonality. Curator: And note how that composition funnels our gaze—the central woman's gesture guides us to the boy's head, creating a focal point that speaks to guidance and perhaps the future. The figures surrounding the boy contribute to this quiet intensity as well, with supporting poses and gestures. Editor: Absolutely. It's almost a classical pyramidal arrangement, isn't it? Balancing formality with an emotional resonance. His outstretched hand echoes the form above. Curator: Consider too the setting, which appears to be a room perhaps within a home converted for worship—signaling the integral role spirituality plays within many African-American communities and also how spiritual life can emerge from ordinary lives, within homes and small spaces. It reminds us how these moments are both communal and profoundly personal. Editor: Ultimately, Roma presents the formal and spiritual elements in compelling balance, don’t you agree? Curator: Definitely. "Untitled" presents more than just a portrait; it acts as a mirror reflecting communal devotion and strength of faith. Editor: The success rests on Roma’s skilled handling of light and form—creating that striking, still moment for the viewer.