Zicht op de kathedraal van Reims op de kroningsdag van Karel X van Frankrijk 1825

This is Alexandre Evariste Fragonard's 'View of the Cathedral of Reims on the Coronation Day of Charles X of France', a print at the Rijksmuseum. Dominating the composition is the cathedral itself, its spires piercing the sky, a filigree of gothic architecture rendered with precise detail. A procession, the coronation of Charles X, unfolds in the foreground. But it's the cathedral's presence, its overwhelming scale, and intricate structure that defines our visual experience. Fragonard uses line and perspective to create a sense of depth, drawing the eye upward towards the heavens. The architectural forms, rendered in monochrome, are not just representations of physical space, but also embodiments of power and divine authority. This visual hierarchy, placing the cathedral at the apex, suggests a symbolic order. Fragonard invites us to consider how architectural and social structures intertwine, reinforcing established hierarchies.