Saint Charles-Borromee, cardinal et archeveque de Milan 1605 - 1650

This is Jean Morin's portrait of Saint Charles-Borromee, Cardinal and Archbishop of Milan, an engraving on paper. Morin created this portrait within the historical context of 17th-century Europe, a period marked by religious and political upheaval. Borromee was a central figure in the Counter-Reformation, and Morin’s representation reflects Borromee's importance within the Catholic Church. Consider how Borromee’s identity as a cardinal is conveyed through his attire and the formal composition, which underscores the power dynamics inherent in religious representation. Morin's work subtly navigates the tensions between religious devotion and the socio-political roles of church figures. We might ask ourselves what it means to depict such a figure with both reverence and an awareness of the power he held. Ultimately, the print invites us to reflect on the complex interplay between religious identity, power, and representation in a time of profound social and religious change.