Saint Charles Borromee, cardinal et archeveque de Milan 1605 - 1650

This portrait of Saint Charles Borromée by Jean Morin, made around the mid-17th century, presents a powerful figure of the Catholic Counter-Reformation. Borromée, Archbishop of Milan, is depicted in his cardinal's attire, a visual symbol of his high ecclesiastical status and authority within the Church. Consider the mitre he wears, a symbol of authority echoing back to ancient headdresses of power, such as the Phrygian cap. It reappears throughout history, each time shifting in meaning, but always signifying a connection to power. Here, the mitre's solemn presence speaks to the weight of Borromée's spiritual responsibilities. It evokes a sense of collective memory, reminding us of the Church's enduring influence. Borromée's stern profile conveys a mix of piety and determination, a subtle but strong statement of moral strength. This image engages us, tapping into deep-seated emotions connected to religious conviction and leadership. It reminds us that symbols, like the Church itself, are constantly evolving, their meanings shaped and reshaped by the flow of history and human experience.