Equinox (trial proof) 1972

Editor: This is David Leverett’s "Equinox (trial proof)". It gives me the impression of a hazy, geometric sunset. What do you see in this piece? Curator: I see a fascinating interplay between order and chaos, typical of much process-based art from the late 20th century. Consider the socio-political climate; the Cold War anxieties, the questioning of established systems. Does this speak to a desire to deconstruct existing frameworks? Editor: I can see that. The grid is there, but it's obscured. Curator: Exactly! It's about revealing the underlying structures while simultaneously disrupting them. The "trial proof" aspect hints at a broader artistic exploration, a process of experimentation that reflects the era's spirit of inquiry. Editor: That's a great point. I hadn’t considered the "trial proof" in that light. Curator: The title "Equinox" also invites speculation. It might symbolize a balance between opposing forces, a theme prevalent in a time of global tension. Editor: I learned a lot about how art reflects the historical period! Curator: And I appreciate your bringing a fresh perspective to the work. It enriches our understanding.