Red Plush Morris Chair c. 1937

Florence Truelson made this drawing of a Red Plush Morris Chair with what looks like pencil and watercolor on paper. Look at the surface: the lines that describe the chair are clear and well-defined, but the color has been applied loosely, bleeding out of the lines. It's like the drawing is trying to contain something that is inherently fluid, a feeling perhaps. The red plush of the chair is rich and inviting. The wooden frame is solid and sturdy. The overall effect is one of comfort and relaxation, a sense of ease. The cushion on top of the chair back looks worn, you know, like it's been loved and used. That imperfection adds a layer of history and character to the piece. It reminds me of the work of Fairfield Porter, who painted domestic scenes with a similar eye for detail and a similar sense of warmth. It's not about perfection; it's about capturing the beauty of everyday life.