Morula III 1983 - 1984

Editor: This is Terry Winters' "Morula III" from the Tate Collections. The monochromatic palette and the repeated sphere motif create an almost hypnotic effect. What do you see in the composition of this work? Curator: Formally, the lithograph presents an intriguing study in contrasts. Note the tension between the geometric grid of the spheres and the organic, almost chaotic, background wash. How does this interplay affect your reading of the piece? Editor: I think it's quite dynamic. The spheres feel like they're floating despite the grounded feeling from the darker washes. Curator: Precisely. The varying densities and textures further complicate spatial relationships, challenging our perception of depth and form. The formal elements create meaning. Editor: So, it's less about what the spheres are but how they are arranged, their tone, and position in relation to each other? Curator: Yes, understanding the formal relationships allows us to truly see this work.