Christus verschijnt aan de hemel 1704 - 1767
print, engraving
baroque
old engraving style
figuration
history-painting
engraving
Gustav Adolph Müller created this print entitled 'Christus verschijnt aan de hemel' with etching. The image is dominated by a vertical structure, dividing the composition into heavenly and earthly realms. In the upper section, Christ is radiant against a softly lit sky populated with angels, creating a stark contrast with the chaotic scene below. This division uses space to distinguish between the divine and the mortal. The angels hold a banner with text, functioning as a semiotic device, guiding the viewer to interpret the scene as a representation of biblical narrative. Below, figures respond with dramatic gestures reflecting a range of emotions. Müller uses the linear quality of etching to define form, creating a textured surface. These aren't just aesthetic choices, but serve to emphasize the drama and emotional intensity. The artwork operates within a symbolic framework, inviting viewers to decode its layers of meaning, but also destabilizes our understanding of space and perception.
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