New France, from the playing cards "Jeu de la Géographie" 1644
drawing, print, engraving
portrait
drawing
figuration
line
history-painting
italian-renaissance
engraving
Dimensions: Sheet: 3 7/16 × 2 3/16 in. (8.8 × 5.5 cm)
Copyright: Public Domain
Curator: Let’s examine “New France, from the playing cards 'Jeu de la Géographie',” an engraving created in 1644 by Stefano della Bella. Editor: There's something so striking about the economy of line here. The figure emerges through a delicate network of strokes, creating a strong impression of form without heavy shading. Curator: Indeed. What you are responding to is the artist’s elegant compression of political and social messaging into a common format—playing cards. This deck, intended for educational amusement, mapped out contemporary geopolitical claims. Editor: I see a figure, presumably allegorical, adorned with feathers, bearing a bow and what looks like a spear. Her expression is rather difficult to read, but the detailing of her clothing and ornamentation are intricate and compelling. Curator: Absolutely. Her attire blends elements of European aristocratic fashion with perceived indigenous dress. She represents France's colonial vision for the "New France," a constructed identity to legitimize its expanding territories. It’s an Italian artist’s take, remember, viewed through layers of European interpretation. Editor: So, the delicate rendering almost romanticizes what was, in reality, a brutal imposition of power. It really puts the “game” aspect into perspective. Curator: Precisely. The descriptive text at the bottom, "Comprend Canada...pays couvert d'arbres, et mal cultivé,” encapsulates a specific vision: one of resource exploitation framed by European superiority. The phrase indicates an attitude that saw opportunity rather than respecting existing realities. Editor: Knowing that it was designed for a playing card enriches my understanding of the imagery. I appreciate how something as seemingly simple as line work can conceal complex socio-political statements about exploration. Curator: And the commodification of geographical knowledge. A fascinating piece indeed when considering the role of popular culture in normalizing colonial expansion.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.