Bonnet 1885 - 1889

Editor: So, this object is called "Bonnet", it dates from around 1885 to 1889, and it’s currently held at the Metropolitan Museum of Art. The tag describes it as mixed media and textile. I am immediately struck by its three-dimensional quality and its intricate decorative features, it’s so detailed and textural. What is your take on this piece? Curator: From a formalist perspective, I find the interplay of textures particularly compelling. Consider the juxtaposition of the smooth velvet against the rougher, organic elements like the dried flowers. Do you notice how the artist used color to create a visual hierarchy? Editor: I see that! The deep reds and browns on the hat's frame against the light neutral tones of the bow create that contrast and separation. It seems almost strategically arranged. Curator: Precisely. The structure, or lack thereof, contributes to the romantic appeal. Consider the arrangement of embellishments atop the hat, for example. How does the asymmetry of the floral arrangement play into the overall design? Editor: Good question. It almost feels whimsical, but intentional, I would guess? I mean, you would not wear it any other way! Curator: I see how that reads through the artist’s arrangement of materials. Perhaps what fascinates most is how the choice of materials and forms articulates cultural values, of beauty and nature. Does this approach enrich your reading of the piece? Editor: It really does. Seeing it beyond just an everyday hat really does encourage me to think deeper about it! Curator: Excellent! Remember, analyzing an artwork’s formal components is crucial for deciphering the artist’s intent and its place within the broader history of art.