Mix and Match 2012

Editor: This playful sculpture is Arlene Shechet's "Mix and Match." It has no date listed, and is made of ceramic. I'm struck by how it both resembles and distorts the idea of a classical bust. What do you make of this piece? Curator: It's a powerful commentary on the deconstruction of historical narratives. Shechet uses the familiar form of the bust, traditionally a symbol of power and permanence, and fractures it. How does this challenge traditional notions of identity and representation in art history, do you think? Editor: I guess it shows how identity can be fragmented or constructed? Curator: Exactly. The "mix and match" element speaks to the fluidity of identity, and perhaps critiques how classical ideals have historically excluded diverse voices. Editor: I see that now. It's definitely more than just a quirky sculpture. Curator: It encourages us to question the narratives we inherit and to embrace the beauty in imperfection and reinvention.