Ostia aan de Tiber 1682 - 1730

Curator: There’s a certain stark beauty in Pieter van der Aa’s etching and engraving, "Ostia aan de Tiber." Dating from 1682 to 1730, it offers a view of a bustling cityscape anchored by the river. Editor: My first impression is how delicate it appears. The limited color palette gives the scene a quiet, almost dreamlike quality. Everything seems…still. Is that a reflection, do you think, of its time? Curator: Perhaps. But also consider the laborious process. Look closely – each line is intentional, carefully laid. This isn't just a picture; it's a product of meticulous craft, likely several different hands and presses contributing to the final product as it moved through workshops, bookshops and finally, to its buyer. Consider what it meant to consume images then. Editor: I see your point. The river itself is fascinating. It seems so integral to the life of the city. The boats, the reflections…it’s all so intimately tied to the water. Curator: It is. Ostia served as Rome's ancient port, a crucial node in the network of trade and resource flow. And here you see those mechanics right there: vessels facilitating both supply and defense are shown in harmony with the landscape. In addition to how material and logistical networks determine the boundaries and shape the built and natural landscape, look closer to find many social interactions and transactions taking place around the port. Editor: So it's about the systems and mechanisms, less about what it looks like. That resonates with how we understand our interactions and interventions now too: global networks, sustainability. And looking at it that way, the limited perspective feels…almost inadequate, even in its careful execution. Curator: Yes, maybe. I think it provides a window to considering Ostia’s importance but I agree. Looking at it with your insights really gives me much to ponder. Editor: And your point of view reminds me to stay attuned to craftsmanship and materiality. Thanks!