Reclining Model c. 1933 - 1938

Curator: This is Alexandre Jacovleff's "Reclining Model," held at the Tate Collections. Look closely at how the artist uses line and form. Editor: It's striking how the sienna chalk gives the figure both solidity and a sense of ephemeral grace. It almost feels unfinished. Curator: Precisely. Jacovleff’s academic training shines through in his mastery of anatomy, yet there’s a tension between classical representation and modern expressive mark-making. Editor: I wonder how this study fits into the wider social context of art education in the early 20th century, and the prevalent male gaze. Curator: Intriguing questions. Consider, too, the artist’s strategic use of negative space. The model’s pose invites the viewer's gaze, yet retains a sense of detachment. Editor: Seeing it this way, I better appreciate the dynamics between the artist, the model, and ultimately, us. Curator: Indeed, a work that rewards careful attention.