Study of a Female Nude, Seated 1870s

George Richmond made this study of a seated female nude in the 19th century, using red chalk on paper. This wasn't just any paper, but likely high-quality stock, perhaps even imported, reflecting the economic status of both artist and patron. Chalk, too, seems humble, but consider how it's handled here. Richmond coaxes a full range of tones from the material, almost like a wash, building up density to model the figure’s form. He was clearly schooled in the academic tradition, where such life drawings were a standard part of artistic training. But his deft touch with the chalk elevates the study above mere exercise. It shows us the body in a natural, relaxed pose. You can almost feel the softness of the model’s skin and the light falling across her form. Ultimately, appreciating Richmond's mastery of the medium lets us see this artwork not just as a study, but as a testament to the power of skilled draftsmanship.