Moslims verlaten de moskee 1867

Léopold Flameng made this print of Muslims leaving the mosque using engraving, a method that dates back to the fifteenth century. Engraving is an intaglio process. An image is incised into a metal plate, usually copper, using a tool called a burin. The artist manually pushes the burin across the plate, removing slivers of metal to create the lines that will hold ink. The plate is then inked, and the surface wiped clean, leaving ink only in the engraved lines. Finally, the plate is pressed onto paper with considerable force, transferring the image. The technique requires precision and control, as the depth and width of the engraved lines determine the darkness and thickness of the printed lines. This labor-intensive process allows for fine detail, seen here in the rendering of the architectural details and the figures’ garments. Consider how this mode of production affects the composition. Note the use of line to create texture and shadow, drawing our eye to the social narrative unfolding. By understanding the engraver’s craft, we appreciate the artistry and labor involved in creating this image.