Orvieto 1926

William Evan Charles Morgan made this etching of Orvieto in 1926. The mark making is so intricate and the details are captivating. Looking at the way Morgan uses line, you can almost feel the texture of the stone walls and the rough bark of the bare trees. The shadows are built up with these tiny, dense strokes, creating depth that makes the whole scene feel so alive. It's like he's mapping out every little nook and cranny of this hilltop town. The way the composition leads your eye up the hill, from the foreground trees to the buildings clustered at the top is genius. It reminds me a little of Piranesi's architectural prints, but with a softer touch. You know, this piece really captures the feeling of a place that's been around for centuries, all those layers of history etched right into the landscape.