Plate (part of a set) 1759 - 1793

Editor: Here we have a delightful earthenware plate, likely made by De Porceleyne Bijl sometime between 1759 and 1793. It’s decorated with a scene of figures gathering fruit and is titled 'September'. The monochrome palette gives it a charming, rustic feel, like a scene plucked from a storybook. How do you interpret the design choices in this piece? Curator: Initially, observe how the composition uses the circular form of the plate. The artist uses the edge as a natural frame, containing the depicted scene. The arrangement of the figures and trees isn’t merely illustrative; it echoes the shape of the plate itself. The relatively limited tonal range directs focus to the geometry of the picture; the curves of the figures playing off the angular buildings in the background. What effect do you think this contrast achieves? Editor: It adds a touch of formality against the more whimsical, narrative elements. Does the style align with the decorative art movement? Curator: Precisely. While narrative, its strength resides in the harmony between form and function. Notice how the artist deliberately reduces detail, almost abstracting the human form and foliage to mere shapes within the larger composition. The semiotic reading reinforces that the artist wanted viewers to look beyond narrative and find elegance in form. Editor: So, the seemingly simple, folksy style is carefully constructed? Curator: Indeed. The artistry isn't just in the painting but in how it enhances and complements the object’s utility, while employing sophisticated techniques. I hadn't previously appreciated the clever mirroring. Editor: It's fascinating to see how closely linked form and function can be. I learned to see the artistry in its formal qualities and balanced composition.