Drie studies van het hoofd van een oude man en een hand by Abraham Johannes Ruytenschildt

Drie studies van het hoofd van een oude man en een hand Possibly 1812

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drawing, pencil

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portrait

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pencil drawn

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drawing

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amateur sketch

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toned paper

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facial expression drawing

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light pencil work

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neoclassicism

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pencil sketch

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figuration

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personal sketchbook

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pencil drawing

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pencil

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portrait drawing

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pencil work

Dimensions: height 318 mm, width 203 mm

Copyright: Rijks Museum: Open Domain

Curator: So, here we have "Three Studies of the Head of an Old Man and a Hand," possibly from 1812, attributed to Abraham Johannes Ruytenschildt. It’s a pencil drawing on what looks like toned paper. Editor: Mmm, it feels...intimate, doesn't it? Like catching someone in a moment of private contemplation. The ochre wash of the paper lends a warmth that’s at odds with the austerity of the Neoclassical style. Curator: Yes, the Neoclassical influence is there in the clean lines and the almost classical features of the subject, but there's a definite sketch-like quality about it that departs from a strictly academic exercise. Ruytenschildt's use of pencil gives a softness to the features. Note how he captures the light on the forehead, and then deepens the shadows around the eyes and mouth. Editor: It’s compelling because you get this sense of vulnerability. Three iterations of an older gentleman in his quieter moments and then almost a self portrait with his rendering of the hand. What was the societal attitude toward ageing at that time, and how did this affect representation? I wonder, how much of the drawing reveals societal attitudes toward ageing and perhaps an almost obsessive scrutiny toward male experience? Curator: Ageing as a loss, a descent into disrepute was something a lot of portraiture sought to deny at the time through glorification. I find it quite liberating here because the artist has created an informal character study devoid of idealised forms. But what truly captivates me is the placement of the hand: the man holding a note. It gives an impression the subject has maybe received a poignant letter or a call to action, hence his moment of introspection. Editor: The artist may be reminding us to not simply look, but really *see* each individual. It makes me reflect on how representation often denies nuance and complexity. So, thanks Ruytenschildt for reminding us to look beyond the image! Curator: Well said. Thanks to this intimate peek into history we have witnessed, the human condition really never changes.

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