St. George and the Dragon 1503

Raphael painted this small panel of Saint George and the Dragon in the early 16th century, probably in Florence. The subject is a popular medieval legend, revived here in the Renaissance. Painted during a period of immense religious patronage, the image itself reflects the power structures of its time. George, the Christian knight, represents the ideal of chivalry, and his triumph over the dragon symbolizes good conquering evil. But look closer. The artist has used the conventions of courtly art to present a story that subtly reinforces existing social hierarchies and power dynamics. To fully appreciate Raphael's painting, consider the historical context of religious art, the role of patrons, and the prevailing social values of the time. Art historians consult a range of sources, from contemporary accounts to studies of Renaissance court culture, to explore the rich interplay between art, society, and belief. Through such research, we can better understand the complex meanings embedded within this deceptively simple image.