Twee scènes uit de komedie Eunuchus van Terentius 1716 - 1718

Bernard Picart made this print, ‘Twee scènes uit de komedie Eunuchus van Terentius,’ using etching techniques. This intaglio process involves using acid to cut lines into a metal plate, which then holds ink to be transferred to paper. The fine, precise lines are a testament to Picart's skill as an etcher. The process allowed for the creation of detailed scenes and subtle gradations, essential for conveying the nuances of expression and narrative. Etching, unlike direct engraving, allowed for a freer, more expressive line, which Picart uses to full effect here. The printmaking process itself is deeply connected to the economics of art. It allowed for the mass production and dissemination of images, making art more accessible to a broader audience, and supporting the artist through the sale of multiple impressions. This speaks to a shift in the art world, from unique commissions for the wealthy to a market-driven system where artists could reach a wider audience. Appreciating Picart's work means understanding not just the image, but also the means of its making and distribution.