Architecturale omlijsting met buste van keizer Justinianus en Minerva en personificatie van gerechtigheid 1681 - 1736

Curator: This engraving by François van Bleyswijck, likely from between 1681 and 1736, is titled "Architecturale omlijsting met buste van keizer Justinianus en Minerva en personificatie van gerechtigheid," which translates to “Architectural border with bust of Emperor Justinian and Minerva and personification of justice.” Editor: My first impression is one of power and hierarchy. The intricate details and the density of the imagery convey a sense of established authority and the weight of tradition. It feels less like an artwork and more like an official pronouncement. Curator: Indeed, the composition is highly structured. Notice how the architectural framework encases the text, visually reinforcing the importance of the legal dissertation being announced. The flanking busts and allegorical figures create a balanced, almost symmetrical, arrangement. Editor: Yes, symmetry is used to reflect themes. Justice on one side and possibly Minerva, Roman goddess of wisdom, strategy and craft, on the other, framing the literal word of the law. And above them both, two authoritative Roman busts. What does it tell us when power structures are almost always rooted in the past? How can those structures also serve future justice? Curator: I see your point. The symbolism is overt. Justice with her scales and sword, Minerva perhaps representing wisdom and strategic governance – these are classic allegorical figures. The inclusion of Justinian suggests a direct lineage to Roman legal tradition. Semiotically, each element contributes to a message of enduring authority. Editor: Precisely. The artwork serves as a visual argument for the legitimacy and continuity of power. It’s not just about the law; it’s about reinforcing the systems that create and maintain that law. The coats-of-arms at the top add another layer. This engraving embodies both legal and social systems. What's more, in this image, the classical figures look almost violent; wisdom brandishes her spear, ready for war. It makes one consider the power behind the law, doesn't it? Curator: Considering the focus of its commissioners on societal power structures and long standing governance, the work operates perfectly. Editor: Perfectly... and a little unsettlingly so. It shows how intertwined legality and authority are, and that their pairing is worth questioning in modern times. Curator: A testament to enduring artistic construction!