photography, gelatin-silver-print
landscape
photography
gelatin-silver-print
cityscape
realism
Dimensions height 60 mm, width 90 mm, height 85 mm, width 120 mm
Editor: Here we have an anonymous gelatin-silver print titled "Haven met schepen," or "Harbor with Ships," created sometime between 1940 and 1943. The wintry harbor scene is so bleak. I am drawn to its realism and historical significance, but I wonder what influenced its creation and the statement it makes about that period? Curator: That’s a good observation. Let's consider the socio-political climate during 1940-1943. This photograph was created during the Nazi occupation of the Netherlands. Does knowing this context change your perception of the bleakness? What societal tensions might be subtly reflected? Editor: It does! The seeming emptiness and stillness of the harbor now feel less like a simple depiction and more like a suppressed energy, an anxiety perhaps? Were harbors common subjects at the time, and did that influence its creation? Curator: Harbor scenes were, and still are, very common in Dutch art. Knowing that other harbor scenes may look dramatically different given they did not emerge from that context – they would be displayed differently and understood to convey another point, even with the same ostensible subject matter. How do you think this reality of creating harbor art under Nazi occupation has been perceived by the Dutch? Editor: I'd imagine it invites the public to read a more layered symbolism into such artistic choices, transforming a potentially innocuous cityscape into commentary. Thank you, understanding its place in history has deepened my understanding and respect for this picture. Curator: Likewise, considering the socio-political lens through which art emerges has illuminated my thinking too!
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