Oorlogsschip en oogsten by Anonymous

Oorlogsschip en oogsten 1935 - 1938

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print, photography, albumen-print

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still-life-photography

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print

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landscape

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photography

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albumen-print

Dimensions height 65 mm, width 90 mm, height 207 mm, width 260 mm

Editor: Here we have a fascinating series of albumen prints titled "Oorlogsschip en oogsten," which translates to "Warship and Harvests," dating from 1935 to 1938, artist unknown. I’m struck by the contrast: images of what seem to be naval personnel juxtaposed with scenes of labor in the fields. What can you tell me about this unsettling combination? Curator: This stark contrast is exactly where the image's power lies. Notice how the regimented order of the warship and the figures on it mirrors the ordered rows in the field ready for harvest. These images, taken so close to the Second World War, present visual symbols heavy with meaning. The warship, a symbol of power and potential destruction, alongside the harvest, a symbol of life, growth, and sustenance. How do you feel those conflicting visual cues resonate? Editor: I hadn’t thought of the crops as a symbol. Now that you mention it, there's definitely tension between them. The warship feels very industrial, whereas the harvest images seem quite pastoral. It’s a really unsettling mixture of progress and tradition. Curator: Precisely! And this is further highlighted by the date. Consider what symbols held sway in the 1930s. Agriculture was often idealized, romanticized even. Can you imagine why the photographer chose to frame these two very different concepts together like this? Editor: Perhaps it's a statement about the precarious balance between peace and war? Like, even amidst signs of abundance, there's always the threat of destruction looming? Curator: An excellent observation. The placement of these seemingly disparate images within the same frame prompts us to consider the relationship between the instruments of war and the foundations of society, urging reflection on themes of vulnerability and resilience, and even the political climate. The past speaks, doesn't it? Editor: It certainly does. I’ll never look at contrasting images the same way again! Curator: Nor will I, and how wonderful that this image gave us cause to consider it.

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