print, engraving
allegory
baroque
figuration
11_renaissance
cityscape
history-painting
engraving
Dimensions height 145 mm, width 195 mm
This ornamental title page with Minerva and Ceres was engraved by Zacharias Dolendo in 1606. Dolendo was working during a period of significant religious and political upheaval in the Netherlands. The print, intended for a book titled "Mirror of Virtuous Women," depicts Minerva, the Roman goddess of wisdom and warfare, and Ceres, the goddess of agriculture and fertility. The positioning of these two figures, each embodying distinct yet traditionally feminine virtues, speaks to the complex roles women held, or were expected to hold, in 17th-century Dutch society. Consider how women were often confined to the domestic sphere while simultaneously idealized as symbols of strength and intellect. It challenges us to reflect on how gendered expectations were constructed and reinforced through visual and literary culture. In what ways did women internalize or resist these representations? The intent was to offer models of virtue, but did it also inadvertently constrain the possibilities for women's identities?
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