Pair of Lamps 1835 - 1840

Editor: So, these are a Pair of Lamps, made by Union Flint Glass Co. between 1835 and 1840. They’re made of glass, and they’re at the Art Institute of Chicago. The ornate quality, the almost gothic shape—it feels quite imposing despite being relatively small. What's your take on these, particularly in terms of their original context? Curator: What I see here isn't simply decorative art, but a reflection of the socio-political landscape. These lamps weren't made in a vacuum. Consider the era: the rise of industrial capitalism. The growing accessibility of such relatively luxurious objects reflects emerging social mobility. But what about those who could not afford such items? Does the craftsmanship highlight or mask inequality? Editor: That's a great point. It's easy to get lost in the beauty and overlook the inherent social commentary. I suppose what interests me now is, what does mass production of these types of glass lamps symbolize in that era, given the complex socio-economic dynamics at play? Curator: Precisely. These lamps weren't handcrafted by individual artisans. They’re products of early industrialization. Glass pressing technology meant faster production, broader consumption, and the changing role of labor. In what ways can we read these objects as material manifestations of power? Whose stories are left out in this glittering history? Editor: It is indeed interesting to think about the multiple facets within something that is primarily deemed aesthetically pleasing and artistic. It brings new perspectives to light, so to speak. Curator: Indeed, analyzing design objects through an intersectional lens reveals the intertwined nature of art, power, and societal narratives.