Pair of candlesticks 1713 - 1714

Editor: Here we have a pair of Baroque-style candlesticks made of silver by Thomas Merry I, dating back to 1713-1714. They feel so rigid and formal, how do you interpret them? Curator: I see these candlesticks not just as functional objects or displays of wealth, but as potent symbols of power and hierarchy within 18th-century British society. Silver, especially pieces like these, was primarily accessible to the elite, reinforcing their dominant social position. The symmetry, a classic Baroque element, embodies the desire for order and control characteristic of that era. Editor: Order and control? Could you elaborate on that in terms of their function? Curator: Absolutely. The act of lighting these candlesticks – imagine them illuminating a lavish dining table or a formal gathering. Light in this period was not just about visibility; it was about setting the stage for social performances, about accentuating status, and quite literally, about who could afford to 'shed light' on matters. Editor: That’s interesting. So even something as simple as owning these shows your status in society at the time? Curator: Precisely! Ownership granted one visibility and social influence. We must consider how the production of these silver pieces depended on the labor of marginalized people, obscuring those exploited realities under a veneer of aristocratic elegance. Editor: I never thought about that, thanks for highlighting the labor aspect of its history. These were not just ornate; they held socio-political value that still resonates. Curator: Indeed, reflecting on the power structures these objects represent prompts critical dialogues about the distribution of resources, access to visibility, and enduring inequalities in contemporary society.