Raptor Capturing a Crane in Flight by Attributed to Torii Kiyomasu

Raptor Capturing a Crane in Flight c. mid 18th century

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print, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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figuration

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woodblock-print

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orientalism

Dimensions 11 9/16 × 6 1/16 in. (29.4 × 15.4 cm) (image, sheet, hosoban)

Editor: So, here we have *Raptor Capturing a Crane in Flight*, a mid-18th century woodblock print attributed to Torii Kiyomasu. It feels… almost violent in its energy, with these birds locked in what looks like a life-or-death struggle. How do you interpret this piece, its symbolism and story? Curator: Well, darling, isn’t it deliciously dramatic? I see nature's raw poetry – survival, strength, beauty tangled together. It's an ukiyo-e print, right, "pictures of the floating world." But look closely. Are we really just seeing a literal battle, or is the artist showing us something deeper? The crane, often a symbol of longevity and happiness, versus the raptor, power and predation... Editor: That’s a compelling way to see it, beyond the immediate action. Do you think the setting contributes to this symbolism? Curator: Oh, absolutely. Nature is a stage here. Imagine those fleeting cherry blossoms nearby, those subtle color details. What does their presence evoke against the raptor's dark feathers? The ephemeral versus the permanent. Or, are either permanent? Everything here breathes life, conflict, then maybe even… peace. Editor: I hadn't thought about it that way, as an interplay of fleeting and enduring. It's amazing how much narrative is packed into one seemingly simple image. Curator: It's a visual poem, my dear. Reflecting not just nature’s reality but the complex, ever-shifting nature of human existence itself. That’s why I am so passionate about what I do. The magic found in details… and feelings!

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Several prints of eagles and hawks signed by or attributed to Torii Kiyomasu I and II exist. Many of the designs are similar to those appearing in the book "Past and Present Writings about Falcons: The Clenched Fist" (Kokon taka no sho: Nigiri kobushi 古今鷹之書 仁義理古武士), a book on falconry with 48 images, published in 1687. See Hillier: The Art of the Japanese Book, vol. 1. p. 131 for an example.

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