Kumagai Naozane and Taira no Atsumori at the battle of Ichi-no-tani by Kondo Kiyoharu

Kumagai Naozane and Taira no Atsumori at the battle of Ichi-no-tani c. 1720

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print

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narrative-art

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print

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asian-art

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ukiyo-e

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history-painting

Dimensions: 13 1/2 × 12 5/8 in.

Copyright: Public Domain

Curator: What strikes me immediately is the emotional stillness amidst the violent action depicted. The postures of the warriors seem almost resigned. Editor: Indeed. Here we have Kondo Kiyoharu's woodblock print from around 1720, titled "Kumagai Naozane and Taira no Atsumori at the battle of Ichi-no-tani." It's quite a striking visualization of a pivotal scene from the Genpei War. Curator: I'm drawn to the way the artist utilizes color to contrast the figures; the cooler hues against the warm palette behind each man. Do you think that reflects specific symbolism rooted in cultural memory? Editor: Absolutely. The visual narrative here is heavy with socio-political implications. Kiyoharu represents the tragic confrontation between the seasoned warrior Kumagai Naozane and the young nobleman Taira no Atsumori. This wasn't just a clash of arms, it symbolized the end of an era for the aristocratic Taira clan. Curator: The mirroring of poses, although subtly altered, contributes to the tragic poignancy. Each detail – the armor, the swords, the very setting itself – operates almost like a symbolic language speaking to the audience, imbuing them with layers of narrative richness. Editor: Exactly. The historical accounts often portray Atsumori as a symbol of youthful beauty cut down in battle. Kumagai, grappling with his actions, represents the moral burden of war. Kiyoharu situates their struggle within broader historical, social, and moral contexts relevant to the Edo period. The print underscores how conflicts impact identity and force difficult choices in tumultuous circumstances. Curator: So even though it presents itself as an illustration of warfare, in its essence it operates almost as an elegiac emblem—one that captures the complexities and futility inherent in all such conflicts. A visual metaphor, speaking not only to history but to a broader human condition. Editor: I agree, the print's power resides in its capacity to synthesize history, politics, and morality, triggering reflections that still resonate deeply today about the costs of ambition and the loss of innocence amid war.

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