Double Elvis 1990
painting, acrylic-paint
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painting
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postmodernism
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op art
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pop art
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colour-field-painting
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acrylic-paint
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text
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geometric
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abstraction
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pop-art
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line
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hard-edge-painting
Peter Halley's "Double Elvis" is a 1990 painting that exemplifies his signature style of geometric abstraction. The artwork is divided into two sections with vivid contrasting colors. The left side features a bold red square within a yellow field, while the right side showcases a black square with a gray background. This creates a dynamic tension, emphasizing the interplay of shapes, colors, and space. Halley's work often references prison cells and the grid-like structure of modern architecture, exploring themes of confinement and social control.
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