Carousel goblet 1863

This “Carousel” goblet was created in 1863 by Anton Ambros Egermann, using glass. Its towering form and vibrant decoration immediately command attention. The goblet's structure—from its broad base to the elaborate finial—presents a complex interplay of shapes and colors, primarily in shades of green, offset by heraldic emblems. The meticulous detail in the painted coats of arms, garlands, and inscriptions suggests a celebration of status and heraldry, yet the overall design transcends mere functionality. The goblet transforms into a symbolic object that engages with visual signs and cultural codes. The formal characteristics destabilize clear meanings. Is it purely decorative, ceremonial, or perhaps a statement about power and representation? Consider the relationship between the goblet's form and its cultural significance. The interplay of glasswork and painted imagery makes it not just an aesthetic object but a complex cultural artifact. It invites an ongoing interpretation of its meaning, set within the context of 19th-century craftsmanship and heraldic traditions.