Covered jar c. 20th century

This covered jar, now at the Minneapolis Institute of Art, was made by Frances Senska. What strikes me about this piece is its embrace of imperfection, the way the glaze seems to ripple and pool, like water finding its own level. There's a raw, earthy quality to the materials, a sense of the artist working in harmony with the clay rather than trying to impose a rigid form upon it. Look at the way the light catches the textured surface, revealing the subtle variations in color and depth. The bands of color remind me of topographical maps, while the flower motif at the base adds a touch of whimsy and organic beauty. The entire process feels very human, each mark a testament to the artist's hand and eye. It reminds me a little of Lucie Rie, in that both artists find a way to elevate the everyday object into something transcendent and deeply personal. It’s a reminder that art isn't about perfection but about the ongoing conversation between maker and material.