Poitiers 1911

James McBey made this print of Poitiers using etching, a process that gives a very particular quality to the line. The plate would have been covered with a waxy, acid-resistant ground, and then the image scratched into it with a sharp needle. When dipped in acid, the exposed lines are bitten, leaving an impression. Because the etching process allows for very fine, detailed work, McBey's skills can truly be appreciated. Notice the texture of the trees, built up with many tiny strokes. This gives the print a sense of depth and atmosphere, almost like a photograph. But unlike photography, etching is a laborious process, requiring a lot of skill and time. There is a haptic quality to the print, a clear indication of the artist's hand, challenging any firm distinction between art and craft.