The Crucifixion c. 1473 - 1474

Francesco del Cossa's "The Crucifixion" was painted in the 15th century using tempera on a wood panel, and the luminous gold leaf background gives the painting a radiant quality. But it's important to remember how much labor was involved in creating this effect. The gesso ground has to be carefully prepared, the gold leaf painstakingly applied, and then burnished to a sheen. Think of the apprentice who spent hours grinding pigments and preparing the panel for painting. The smooth surface allows us to appreciate del Cossa's mastery of line and form, while the tempera paint offers a unique luminosity. The choice of materials and techniques are as integral to the artwork's meaning as the narrative it depicts, and understanding these aspects allows us to appreciate the complex blend of craft, skill, and social context that makes up "The Crucifixion". By examining the material aspects of the work, we gain insight into the world of the Renaissance artist and workshop.