the Crucifixion 1473

Francesco del Cossa’s ‘Crucifixion’ is a painting executed in tempera on panel. Tempera, a paint made with egg yolk, dries quickly and creates a matte finish, requiring a calculated, efficient application. Here, the use of tempera underscores the solemnity of the scene, with precise lines defining each figure, in accordance with humanist principles. The process of egg tempera painting, requiring careful mixing and layering of pigments, mirrors the methodical attention to detail that characterizes the early Renaissance. The panel on which the painting is executed also plays a role. Its smooth surface allows for the even distribution of paint and accentuates the luminosity of colors. The labor-intensive technique reflects the value placed on skilled craftsmanship during this period. This contrasts with later periods where the artist's gesture and impasto become more celebrated. Ultimately, by considering the material processes involved, we gain a richer understanding of its cultural significance, and the values placed on skill and precision.