H. Judas Taddeüs by Zacharias Dolendo

H. Judas Taddeüs c. 1596

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engraving

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portrait

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baroque

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old engraving style

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caricature

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portrait drawing

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history-painting

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engraving

Copyright: Rijks Museum: Open Domain

Curator: Here at the Rijksmuseum, we're looking at Zacharias Dolendo's engraving "H. Judas Thaddäus," created around 1596. Note the exquisite detail rendered solely through line work, capturing a Baroque sensibility within a circular format. Editor: Okay, first impression? He looks like he's having a rough day. Like he just remembered he left the stove on. And that little halo seems a bit…optimistic, considering the weight he's carrying. What's with the set square? Curator: Indeed. The engraving presents a detailed, yet somewhat melancholic, depiction. Judas Thaddäus, as identified by the inscription, is holding a book and a set square. Semiotically, the set square symbolizes precision and perhaps, a connection to construction or building – metaphors for faith, or maybe it alludes to him being the patron saint of hopeless causes, a "square deal" of sorts? Editor: Haha! I see what you did there! He *does* seem perfect for the hopelessly lost, doesn’t he? I love the swirling lines that form the background, too, adding this slightly chaotic feel to an otherwise very formal portrait. And the way Dolendo captured the light, despite it being just lines… Remarkable! Almost sculptural, you know? Curator: Precisely. The manipulation of line density and direction generates an impressive illusion of volume and shadow, showcasing Dolendo's mastery of the engraving medium. The textures are vividly conveyed, from the folds of his drapery to the slight disarray of his hair. It evokes a certain… earthiness. Editor: Right? He doesn't look like those flawless, ethereal saints from other artworks. He’s got wrinkles, a slightly worried expression… It makes him relatable, you know? It's like saying, "Hey, even saints had bad hair days.” It’s oddly charming! Curator: I appreciate how Dolendo interweaves symbolism with such palpable human emotion. It transcends mere historical representation. Editor: Yeah, seeing him like this kinda humanizes faith, makes it feel less intimidating. Good stuff. Curator: A truly remarkable piece of art, thought-provoking in its execution, symbolism, and humanity. Editor: Absolutely. It’s the little imperfections that make it stick with you, right?

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