Tweede eeuwfeest van de Reformatie by Philipp Heinrich Müller

Tweede eeuwfeest van de Reformatie 1717

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metal, sculpture, engraving

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portrait

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baroque

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metal

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sculpture

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sculpture

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history-painting

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engraving

Dimensions diameter 3.2 cm, weight 14.78 gr

Curator: Here we have a striking example of commemorative art: Philipp Heinrich Müller’s "Tweede eeuwfeest van de Reformatie," created in 1717. It's crafted from metal, functioning as both sculpture and engraving to mark the second centenary of the Reformation. Editor: The duality really sings, doesn’t it? Immediately, I’m struck by the serene juxtaposition. On one side, the intense profile of Martin Luther; flip it, and you have a gentle palm tree by what seems like a peaceful river. Almost meditative. Curator: The visual and symbolic dichotomy is indeed potent. Luther’s profile is strong, almost severe, encapsulating his influential theological stance. Contextualize this within the societal and political tensions of the Reformation, and we observe a direct statement. Editor: Exactly, you almost forget this little disc embodies seismic change. And that tree… It seems so still. Is it supposed to be, what, a metaphor for steadfastness? Curator: It is! The palm symbolizes resilience and unwavering faith amid adversity, resonating with Reformation ideology. "Foliis eius non defluent" inscribed above reinforces permanence, an unending presence within cultural memory. The artwork clearly aligns with baroque conventions prevalent in its era, even at this small scale. Editor: Oh, “his leaves shall not wither…” right? Very neat. Do you think people back then just popped these in their pockets like good luck charms? Maybe clinked them together and gossiped about the Pope? Curator: Precisely! These commemorative coins were a key part of affirming confessional identity in early modern Europe. While their intimate usage fostered connection to Luther's image, we see in Müller's approach a connection forged to complex intersectional historical discourses involving theology, cultural endurance and, by extension, power dynamics. Editor: All that from such a humble object… It just proves even tiny art can carry a big bang. I am kind of jealous of their dedication, of Reformation supporters that is! That devotion! Anyway, makes one think! Curator: Precisely. Thank you.

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