Draaibare koffietafel by Georg Lichtensteger

Draaibare koffietafel after 1724

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print, metal, wood, engraving

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baroque

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print

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metal

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old engraving style

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wood

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genre-painting

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history-painting

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engraving

Dimensions height 280 mm, width 177 mm

Curator: Isn’t this a striking image? What captures your attention first when you see this 18th-century engraving, called "Draaibare koffietafel," dating from after 1724? Editor: It’s got such a wonderfully hushed atmosphere, almost dreamlike with the single figure tending to the candlelight. The table dominates the space though. The intricacy is just delightful, yet it somehow feels melancholy. Curator: Melancholy…that’s interesting. From my perspective, this piece offers us insight into the socio-economic conditions and evolving consumption habits of the early 18th century. It depicts, as the description at the bottom tells us, a revolving coffee table combined with a treasury cabinet where porcelain could be presented behind glass windows protected from dust. It suggests a move towards luxury and display. Editor: Luxury certainly, but doesn’t it also suggest a certain… confinement? All those little drawers, all those porcelain objects meticulously arranged. There's a real sense of controlling and curating the domestic space—a kind of prison of good taste, maybe? The racialized attendants flanking the table give me pause too. Curator: Ah, yes, their presence absolutely speaks to a complex web of colonialism and forced labor. It reminds us that these luxuries were built upon the exploitation of others. Their subordinate positions are literally built into the very structure of the image, highlighting the power dynamics at play in the creation and enjoyment of these objects. Editor: Precisely. It's a gorgeous prison, make no mistake, meticulously rendered with metal engraving on wood. The Baroque styling certainly gives it an opulent air, but there is something unsettling, like a perfect stage set devoid of genuine life. Curator: So, while on the surface, this piece might seem like a celebration of domestic elegance, a deeper look unearths troubling implications about wealth, class, and the human cost of luxury during that era. Editor: And I suppose that's what makes art so vital. A beautiful thing on the surface can become a doorway into really difficult but important questions, right? Curator: Absolutely. It is those complex and discomforting layers that transform this ornate design for a rotating coffee table into such an interesting object of reflection.

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