Zitting van de Spaanse Bloedraad 1735

Editor: We're looking at "Zitting van de Spaanse Bloedraad," or "Meeting of the Spanish Council of Blood," a 1735 engraving by Jan Caspar Philips. The density of the lines and the stark contrast give it an almost unsettling feel, even though it depicts a formal gathering. How would you interpret its composition? Curator: From a formalist perspective, observe how the artist organizes space through the strategic deployment of light and shadow. The composition is acutely pyramidal, anchored by the central figure enthroned under the canopy. Note also how the linearity of the engraving technique emphasizes the angularity of the architecture and the figures' poses, creating a sense of rigid formality. This controlled use of line and form communicates a deliberate austerity. What effect do you think this structured formality achieves? Editor: It seems to amplify the sense of power and control. The clean lines and hierarchical arrangement reinforce the authority of the figures depicted, and also make a stark, declarative impression on the viewer. Is that a fair assessment? Curator: Precisely. And consider the negative space—or rather, the almost deliberate lack thereof. The scene is crowded, packed with details, intensifying the visual weight and psychological impact of the event portrayed. How might that density contribute to the viewer’s experience? Editor: The density and detail make me feel a bit claustrophobic. It amplifies the feeling of tension, the heavy atmosphere. It makes me really appreciate the artistic control shown in the work. Curator: An excellent point. The starkness and precision highlight not only the depicted event but also the engraver's skill. This controlled and meticulous execution underscores the power inherent in representation itself. Editor: I see what you mean. Looking closely at its structure has certainly provided a new depth of understanding to this baroque print!