Tetradrachm of Philip III of Macedon, Babylon c. 323

Curator: Here we have a silver tetradrachm, struck in Babylon under Philip III of Macedon. Editor: It has the gravity of something immensely old. The figure has a sort of weary nobility. Curator: Indeed. This coin offers a glimpse into a tumultuous period following Alexander the Great's death. Philip III, his half-brother, became king, a reign marked by political instability and power struggles. Editor: The seated figure on the reverse seems to be Zeus, doesn’t he? That eagle at his feet speaks of power and divine right, even as the kingdom crumbled around him. It’s a fascinating juxtaposition. Curator: Absolutely. These symbols were carefully selected to perpetuate dynastic power, even when that power was precarious and shifting. Editor: Looking at it now, you can see how iconography can be a form of propaganda, even in something as small as a coin. Curator: That's right, and by studying its imagery and the historical context we can reflect on the construction and deployment of power in ancient societies. Editor: A small object, but it holds so much significance.